And
now, for your reading pleasure, a liittle bit
more than a fair use extract of David Foster Wallace's
Tense Present - Democracy, English, and the Wars
over Usage.
Did
you know that probing the seamy underbelly of
U.S. lexicography reveals ideological strife and
controversy and intrigue and nastiness and fervor
on a nearly hanging-chad scale? For instance,
did you know that some modern dictionaries are
notoriously liberal and others notoriously conservative,
and that certain conservative dictionaries were
actually conceived and designed as corrective
responses to the "corruption" and "permissiveness"
of certain liberal dictionaries? That the oligarchic
device of having a special "Distinguished
Usage Panel ... of outstanding professional speakers
and writers" is an attempted compromise between
the forces of egalitarianism and traditionalism
in English, but that most linguistic liberals
dismiss the Usage Panel as mere sham-populism?
Did you know that U.S. lexicography even had a
seamy underbelly?
The
occasion for this article is Oxford University
Press's semi-recent release of Bryan A. Garner's
A Dictionary of Modern American Usage. The fact
of the matter is that Garner's dictionary is extremely
good, certainly the most comprehensive usage guide
since E. W. Gilman's Webster's Dictionary of English
Usage, now a decade out of date.[1] Its format,
like that of Gilman and the handful of other great
American usage guides of the last century, includes
entries on individual words and phrases and expostulative
small-cap MINI-ESSAYS. on any issue broad enough
to warrant more general discussion. But the really
distinctive and ingenious features of A Dictionary
of Modern American Usage involve issues of rhetoric
and ideology and style, and it is impossible to
describe why these issues are important and why
Garner's management of them borders on genius
without talking about the historical contexts
[2] in which ADMAU appears, and this context turns
out to be a veritable hurricane of controversies
involving everything from technical linguistics
to public education to political ideology, and
these controversies take a certain amount of time
to unpack before their relation to what makes
Garner's usage guide so eminently worth your hard-earned
reference-book dollar can even be established;
and in fact there's no way even to begin the whole
harrowing polymeric discussion without taking
a moment to establish and define the highly colloquial
term SNOOT.
From one perspective, a certain irony attends
the publication of any good new book on American
usage. It is that the people who are going to
be interested in such a book are also the people
who are least going to need it, i.e., that offering
counsel on the finer points of U.S. English is
Preaching to the Choir. The relevant Choir here
comprises that small percentage of American citizens
who actually care about the current status of
double modals and ergative verbs. The same sorts
of people who watched Story of English on PBS
(twice) and read W. Safire's column with their
half-caff every Sunday. The sorts of people who
feel that special blend of wincing despair and
sneering superiority when they see EXPRESS LANE
— 10 ITEMS OR LESS or hear dialogue used
as a verb or realize that the founders of the
Super 8 motel chain must surely have been ignorant
of the meaning of suppurate. There are lots of
epithets for people like this — Grammar
Nazis, Usage Nerds, Syntax Snobs, the Language
Police. The term I was raised with is SNOOT.[3]
The word might be slightly self-mocking, but those
other terms are outright dysphemisms. A SNOOT
can be defined as somebody who knows what dysphemism
means and doesn't mind letting you know it.
I submit that we SNOOTs are just about the last
remaining kind of truly elitist nerd. There are,
granted, plenty of nerd-species in today's America,
and some of these are elitist within their own
nerdy purview (e.g., the skinny, carbuncular,
semi-autistic Computer Nerd moves instantly up
on the totem pole of status when your screen freezes
and now you need his help, and the bland condescension
with which he performs the two occult keystrokes
that unfreeze your screen is both elitist and
situationally valid). But the SNOOT's purview
is interhuman social life itself. You don't, after
all (despite withering cultural pressure), have
to use a computer, but you can't escape language:
Language is everything and everywhere; it's what
lets us have anything to do with one another;
it's what separates us from the animals; Genesis
11:7-10 and so on. And we SNOOTS know when and
how to hyphenate phrasal adjectives and to keep
participles from dangling, and we know that we
know, and we know how very few other Americans
know this stuff or even care, and we judge them
accordingly.
In ways that certain of us are uncomfortable about,
SNOOTs' attitudes about contemporary usage resemble
religious/political conservatives' attitudes about
contemporary culture:[4] We combine a missionary
zeal and a near-neural faith in our beliefs' importance
with a curmudgeonly hell-in-a-handbasket despair
at the way English is routinely manhandled and
corrupted by supposedly educated people. The Evil
is all around us: boners and clunkers and solecistic
howlers and bursts of voguish linguistic methane
that make any SNOOT's cheek twitch and forehead
darken. A fellow SNOOT I know likes to say that
listening to most people's English feels like
watching somebody use a Stradivarius to pound
nails. We[5] are the Few, the Proud, the Appalled
at Everyone Else.
THESIS STATEMENT FOR WHOLE ARTICLE
Issues of tradition vs. egalitarianism in U.S.
English are at root political issues and can be
effectively addressed only in what this article
hereby terms a "Democratic Spirit."
A Democratic Spirit is one that combines rigor
and humility, i.e., passionate conviction plus
sedulous respect for the convictions of others.
As any American knows, this is a very difficult
spirit to cultivate and maintain, particularly
when it comes to issues you feel strongly about.
Equally tough is a D.S.'s criterion of 100 percent
intellectual integrity — you have to be
willing to look honestly at yourself and your
motives for believing what you believe, and to
do it more or less continually.
This kind of stuff is advanced U.S. citizenship.
A true Democratic Spirit is up there with religious
faith and emotional maturity and all those other
top-of-the-Maslow-Pyramid-type qualities people
spend their whole lives working on. A Democratic
Spirit's constituent rigor and humility and honesty
are in fact so hard to maintain on certain issues
that it's almost irresistibly tempting to fall
in with some established dogmatic camp and to
follow that camp's line on the issue and to let
your position harden within the camp and become
inflexible and to believe that any other camp
is either evil or insane and to spend all your
time and energy trying to shout over them.
I submit, then, that it is indisputably easier
to be dogmatic than Democratic, especially about
issues that are both vexed and highly charged.
I submit further that the issues surrounding "correctness"
in contemporary American usage are both vexed
and highly charged, and that the fundamental questions
they involve are ones whose answers have to be
"worked out" instead of simply found.
A distinctive feature of ADMAU is that its author
is willing to acknowledge that a usage dictionary
is not a bible or even a textbook but rather just
the record of one smart person's attempts to work
out answers to certain very difficult questions.
This willingness appears to me to be informed
by a Democratic Spirit. The big question is whether
such a spirit compromises Garner's ability to
present himself as a genuine "authority"
on issues of usage. Assessing Garner's book, then,
involves trying to trace out the very weird and
complicated relationship between Authority and
Democracy in what we as a culture have decided
is English. That relationship is, as many educated
Americans would say, still in process at this
time.
A Dictionary of Modern American Usage has no Editorial
Staff or Distinguished Panel. It's conceived,
researched, and written ab ovo usque ad mala by
Bryan Garner. This is an interesting guy. He's
both a lawyer and a lexicographer (which seems
a bit like being both a narcotics dealer and a
DEA agent). His 1987 A Dictionary of Modern Legal
Usage is already a minor classic; now, instead
of practicing law anymore, he goes around conducting
writing seminars for J.D.'s and doing prose-consulting
for various judicial bodies. Garner's also the
founder of something called the H. W. Fowler Society,[6]
a worldwide group of usage-Trekkies who like to
send one another linguistic boners clipped from
different periodicals. You get the idea. This
Garner is one serious and very hard-core SNOOT.
The lucid, engaging, and extremely sneaky Preface
to ADMAU serves to confirm Garner's SNOOTitude
in fact while undercutting it in tone. For one
thing, whereas the traditional usage pundit cultivates
a sort of remote and imperial persona —
the kind who uses one or we to refer to himself
— Garner gives us an almost Waltonishly
endearing sketch of his own background:
I realized early at the age of 15[7] — that
my primary intellectual interest was the use of
the English language.... It became an all-consuming
passion.... I read everything I could find on
the subject. Then, on a wintry evening while visiting
New Mexico at the age of 16, I discovered Eric
Partridge's Usage and Abusage. I was enthralled.
Never had I held a more exciting book.... Suffice
it to say that by the time I was 18, I had committed
to memory most of Fowler, Partridge, and their
successors....
Although this reviewer regrets the biosketch's
failure to mention the rather significant social
costs of being an adolescent whose overriding
passion is English usage,[8] the critical hat
is off to yet another personable section of the
Preface, one that Garner entitles "First
Principles": "Before going any further,
I should explain my approach. That's an unusual
thing for the author of a usage dictionary to
do — unprecedented, as far as I know. But
a guide to good writing is only as good as the
principles on which it's based. And users should
be naturally interested in those principles. So,
in the interests of full disclosure ..."[9]The
"unprecedented" and "full disclosure"
here are actually good-natured digs at Garner's
Fowlerite predecessors, and a subtle nod to one
camp in the wars that have raged in both lexicography
and education ever since the notoriously liberal
Webster's Third New International Dictionary came
out in 1961 and included such terms as heighth
and irregardless without any monitory labels on
them. You can think of Webster's Third as sort
of the Fort Sumter of the contemporary Usage Wars.
These Wars are both the context and the target
of a very subtle rhetorical strategy in A Dictionary
of Modern American Usage, and without talking
about them it's impossible to explain why Garner's
book is both so good and so sneaky.
We regular citizens tend to go to The Dictionary
for authoritative guidance.[10] Rarely, however,
do we ask ourselves who decides what gets in The
Dictionary or what words or spellings or pronunciations
get deemed "substandard" or "incorrect."
Whence the authority of dictionary-makers to decide
what's OK[11] and what isn't? Nobody elected them,
after all. And simply appealing to precedent or
tradition won't work, because what's considered
correct changes over time. In the 1600s, for instance,
the second-singular pronoun took a singular conjugation
— "You is." Earlier still, the
standard 2-S pronoun wasn't "you" but
"thou". Huge numbers of now acceptable
words like clever, fun, banter, and prestigious
entered English as what usage authorities considered
errors or egregious slang. And not just usage
conventions but English itself changes over time;
if it didn't, we'd all still be talking like Chaucer.
Who's to say which changes are natural and which
are corruptions? And when Bryan Garner or E. Ward
Gilman do in fact presume to say, why should we
believe them?
These sorts of questions are not new, but they
do now have a certain urgency. America is in the
midst of a protracted Crisis of Authority in matters
of language. In brief, the same sorts of political
upheavals that produced everything from Kent State
to Independent Counsels have produced an influential
contra-SNOOT school for whom normative standards
of English grammar and usage are functions of
nothing but custom and superstition and the ovine
docility of a populace that lets self-appointed
language authorities boss them around. See for
example MIT's Steven Pinker in a famous New Republic
article — "Once introduced, a prescriptive
rule is very hard to eradicate, no matter how
ridiculous. Inside the writing establishment,
the rules survive by the same dynamic that perpetuates
ritual genital mutilations" — or, at
a somewhat lower pitch, Bill Bryson in Mother
Tongue: English and How It Got That Way:
Who sets down all those rules that we all know
about from childhood: the idea that we must never
end a sentence with a preposition or begin one
with a conjunction, that we must use "each
other" for two things and "one another"
for more than two ...? The answer, surprisingly
often, is that no one does, that when you look
into the background of these "rules"
there is often little basis for them.
In ADMAU's Preface, Garner himself addresses the
Authority Question with a Trumanesque simplicity
and candor that simultaneously disguise the author's
cunning and exemplify it:
As you might already suspect, I don't shy away
from making judgments. I can't imagine that most
readers would want me to. Linguists don't like
it,
of course, because judgment involves subjectivity.[12]
It isn't scientific. But rhetoric and usage, in
the view of most professional writers, aren't
scientific endeavors. You don't want dispassionate
descriptions; you want sound guidance. And that
requires judgment. Whole monographs could be written
just on the masterful rhetoric of this passage.
Note for example the ingenious equivocation of
judgment in "I don't shy away from making
judgments" vs. "And that requires judgment."
Suffice it to say that Garner is at all times
keenly aware of the Authority Crisis in modern
usage; and his response to this crisis is in the
best Democratic Spirit rhetorical.
So ...
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